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How the Beatles Destroyed Rock 'N' Roll: An Alternative History of American Popular Music

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Books : Nonfiction : English
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"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of
American popular music, "because the past keeps looking different as the present changes." Earlier musical
styles sound different to us today because we hear them through the musical filter of other styles that came after them,
all the way through funk and hip hop.

As its blasphemous title suggests, How the Beatles Destroyed Rock
'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on
those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and
technologies--including the role of records, radio, jukeboxes and television --to give a fuller, more balanced account
of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original
sources--recordings, period articles, memoirs, and interviews--to highlight how music was actually heard and experienced
over the years. And in a refreshing departure from more typical histories, he focuses on the world of working musicians
and ordinary listeners rather than stars and specialists. He looks for example at the evolution of jazz as dance music,
and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up the bulk of its early
audience. Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, and the Beatles are all here, but
Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and
the Shirelles, who in some cases were far more popular than those bright stars we all know today, and who more
accurately represent the mainstream of their times.

Written with verve and style, How the Beatles Destroyed
Rock 'n' Roll shakes up our staid notions of music history and helps us hear American popular music with new
ears.

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